Tamer Mostafa
Tamer Mostafa is the recipient of the 2013 Lois Ann Latinn Rosenberg Award for Poetry and the First Place Prize in Undergraduate Creative Non-Fiction from the 2011 Bazzanella Literary Awards. He is a Stockton, California native whose works have been included in The Rag, California Quarterly, Poets Espresso, No Infinite, and Confrontation.
Tamer Mostafa is the recipient of the 2013 Lois Ann Latinn Rosenberg Award for Poetry and the First Place Prize in Undergraduate Creative Non-Fiction from the 2011 Bazzanella Literary Awards. He is a Stockton, California native whose works have been included in The Rag, California Quarterly, Poets Espresso, No Infinite, and Confrontation.
Life and Death
On a lawn chair next to a pool in spring
I am half asleep in a semi reclined
position, able to make out the leafless
tree branches overhead, through the columns
of lashes, blurred and bigger than normal.
A squiggled orange line twitches and jumps,
wanting to squeeze through the slit of fresh air.
Opening my eyes to the fullest extent,
my wife floats face down under the water
letting the little tides carry her body
further and further towards the deep end.
Feeling the depth, she paddles to the shallow end,
brushes the chlorine soaked hair away from her face.
Initiation
One night, I visited a mechanic’s shop
with a brick and a black ski mask
to recoup my losses from a flawed job.
After driving the road back and forth
to affirm the streets would be clear
for the time being, I turned into the entrance
exited my vehicle with the engine running,
chucked the light weight of the brick
to the poorly printed logo on the glass.
Taking rapid breaths as if my life
depended on holding stale air
in my lungs for a prolonged amount of time,
I climbed through the opening
thinking I’d be frightened
by the sound of an alarm,
but was surprised as to how
flawlessly I fit in,
how easy it was to peel the mask off
like it was a dead layer of skin,
flaked and dry near the edges.
I turned my back to the porcelain Buddha,
picking the brick from a pile of receipts
and began striking the register
across the oil-smudged keys,
hoping that after multiple hits,
the machine would feel pain,
reach a point of fatigue,
vomit its remnants of the day
into my scratched hands.
Unwilling to comply and too heavy to drag out,
I shielded the brick under my driver’s seat,
kept the speed to the legal limit believing
that any passing authorities would think
I was trying to find my way home.
I Am Afraid of Living
Laying in a damp bed
next to a purifier circulating
the air for particles to trap,
I stay silent, waiting
for the crackle of a train’s sound
to form.
I imagine the friction
transferring heat from the wheels
to the rails to the dry fields.
Perhaps it distracts me from the creek
of a worn down turbine vent
working to spin in the wind.